September 2008

 

Take a second look at our front cover.

 

Peek at all we have to offer in this issue.

 

On Our Cover

Scrappin' Sports & More

Beads, Bobbles, Buttons

1, 2, 3 Scrap!

Naturally Perfect

Fall Harvest

Photo Challenge Blog

Going Places

 

Card Corner

The Showroom

Discovery Drive

Design Square

Cluttered Blvd

Chic Street

Street Maps

Pet Park

Unique Boutique

Open Road

 

Digital Kit

Pixel Place

Digital Discovery

Creation Station

Digi Dashboard

Crossroads Cafe

Aunt Digi Presents . . .

Digital Detour

 

Highlights

Chat Lane  

Traveling  Class

Calls and Contests

Calendar

 

Boards

Gallery

Streets

Store

Kit Club

 

Advertise with us

Subscribe

Past Issues

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Creation Station

Sue Wood

Playing With Brushes, Part 1

We all like brushes in Photoshop, they are so easy to use and make papers and patterns for our digital scrapping. Well here are some ideas I have been playing with to make some very nice textured brushes that you can use alone, or use with other similar brushes, for a complex pattern that takes the guess work out of sizing up patterns for your papers. 

If we try here with a basic large textured brush, you need the size between 200 and 500 pixels.  Use one that comes with Photoshop or make your own.  You want one that is fairly nondescript at this point and open textured (so you can see a bit of the underlying layer.

I have chosen rolled terry rag at 120px from the faux finish brushes in Adobe brush pack that comes with PS.   From here I will put down the settings each in turn, and a picture of what you should get if you follow my settings.

1.  Brush Tip Shape

Choose the brush and set it between 250 and 500px

Make the spacing between 25%and 40%

Check the wet edges box (gives definition to the edge of the brush)

Check the smoothing box

2    Size Jitter 10, or anything between 5-20

Size jitter control off

<inimum diameter between 5 and 12

Angle jitter 100 (makes the brush swirly)

Angle jitter control off

Roundness jitter 0 (keeps the brush round not thin)

Roundness jitter control off

Check the boxes Flip x Flip y

3.  Scattering

On both axes 40-50%

Count 1

Count Jitter remain at 0

Count Jitter Control off

4.  Texture

Choose a pattern with a smooth texture and one with a rough texture try them both see how you find them.

Choose one and scale it to suit between 20-80% depending how it looks to you.

Texture each tip

Blend mode multiply

Depth 50

Minimum depth 0

Jitter  0

Jitter control off

5  Color Dynamics

Controlling the color is a personal choice. However, try this:

Choose foreground color and background color.

Set the color jitter to 6

Control off

Jitter the hue just slightly to keep within the given colors you have chosen.

Saturation 10% will keep them even

Brightness between 5 and 15%

Purity try between0 and -5

At this point try your brush and if you are satisfied with the look overall save it in your brushes pallette. Don't forget to save it, too, in your preset manager or you will lose it if you reset the brushes.

This brush will paint on a shaded feathered effect that you can use over a base layer and allow some of the base layer to peek through, or you can paint it on more heavily for an altogether more subtle effect. Of course if you play around with the settings one at a time, you can vary each brush and come up with a series of textured brush on patterns.

 

Part 2 in this series will follow soon and show you how to paint a textured pattern within a pattern.

 

Scrapbookingtop50 Counter

Top50 Scrapbooking Kits

 

Hybrid Top 50

© ScrapStreet, 2008
All Rights Reserved